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| Titre | Historical Performance Practice in Organ Playing. an Introduction based on selected Organ Works of the 16th-18th Centuries | |
| Auteur(s) | Laukvik, Jon | |
| Éditeur | Carus |
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| Année d'édition | 1996 | |
| ISBN | 3-923053-49-5 | |
| Site de l'éditeur | http://www.carus-verlag.com | |
| Nombre de pages | 318 | |
| Illustrations | 459 exemples musicaux, 1 photo NB, 7 fac similés de musique, 1 schéma, 1 document NB | |
| Type d'ouvrage | Livre | |
| Langue de l'ouvrage | GB | |
| Date de réception au M'O | 23/08/2011 | |
| Table des matières | Foreword. 9 Bibliography I (Source index, primary and secondary literature). 15 Editorial method. 18 A. Technical and musical rudiments I. Elementary playing techniques - initial musical considerations I.1. Technical requirements: a guide. 19 I.2. Touch - tone production. 23 I.3. Articulation. 28 I.4. Early fingering - Articulation course I. 35 I.5. Pedal technique. 49 I.6. The grammatical accent - late baroque fingering: Articulation course II. 57 II. General musical considerations II.1. Metre and tempo. 77 II.2. Agogics. 86 II.3. Punctuation. 92 II.4. Ornaments and other signs in the musical score. 94 II.5. The question of temperament (tuning). 102 III. Practice. 102 B. Stylistic variations in interpretation I. Music of the early and high baroque period I.1. Italy. 113 I.2. Netherlands - North Germany. 131 I.3. France. 159 I.4. South and Central Germany. 196 I.5. Spain - Portugal. 207 I.6. England. 216 II. J. S. Bach and the late baroque period in Germany II.1. Stylistic aspects. 220 II.2. The source situation. 222 II.3. The instrument. 223 II.4. Registration. 225 II.5. Ornamentation. 229 II.6. The slur - the staccato dot. 248 II.7. Further refinements of articulation in late baroque music. 256 II.8. Further playing conventions. 261 II.9. Late baroque punctuation. 265 II.10. Questions of tempo. 270 II.11. Other late baroque composers. 271 III. The classical period III.1. Change of style - the empfindsamer Stil. 273 III.2. Carl Philipp Emanuel Bach. 274 III.3. Wolfgang Amadeus Mozart. 283 III.4. Other noteworthy composers. 289 Epilogue. 290 Bibliography II (music in selected editions). 292 Commentary. 306 Index. 311 |
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