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Titre Maestro Francisco Correa de Arauxo's (1584-1654) Facultad Orgánica (1626) as a Source of Performance Practice
Auteur(s) Hakalahti, Iina-Karita
Éditeur Helsinki University Print
Année d'édition 2008
ISBN 978-952-5531-41-1
Site de l'éditeur
Nombre de pages XVI + 356
Illustrations I photo C, 4 figures, 51 exemples musicaux, 12 tables
Type d'ouvrage Thèse de doctorat
Langue de l'ouvrage GB
Date de réception au M'O 06/01/2010
Table des matières Introduction
1. Performance Practise as a Discipline. 2
2. Objectives of Research. 3
3. Sources. 4
4. Methods of Research. 6
5. Structure of This Study and Some General Remarks. 9
I. A glance at Correa's Spain and the Time of El Siglo de Oro
1. Spanish Territories and Costs of Defense. 12
2. The Organization of Government and Distribution of Power. 13
3. The Spanish Economy and the Sources of Revenue of the Spanish Crown in the Seventeenth Century. 15
4. The Religious Life and the Honour of Being a Christian. 17
5. The Concept of Personal Honor. 20
6. The Life of the Arts in Seventeenth-Century Spain. 20
7. The Spanish Academic Life in the Golden Age. 24
II. Correa's Life
1. Attempts to Determine Correa's Dates: A Historical Survey. 27
2. Correa's Early Years and His Family. 30
3. The Debate on Correa's Origin. 32
4. Francisco Correa de Arauxo and His Professional Career. 35
III. Spanish Organs and other Keyboard Instruments
1. Early Spanish Organ Types. 49
2. The Other Keyboard Instruments. 68
IV. The Facultad Orgánica
1. The Structure of the Book. 75
2. The Contents of the Textual Part of the Facultad Orgánica. 76
3. Prefaces of the Tientos of the Facultad Orgánica. 99
4. The Extant Copies of the Facultad Orgánica. 121
V. Some Theoretical Issues and Terminology in the Facultad Orgánica
1. Cifra. 129
2. Diapasons and Hexachords and the Ambitus of the Modes. 137
3. Géneros. 142
4. Modes. 146
5. Falsas.
VI. Instructions on Performance Practice in the Facultad Orgánica
1. Glosas and Adornos.
2. Fingerings, Touch and Playing Position. 190
3. Tempo, Time signatures and Proportions. 218
4. Special Rhytmic Features. 242
5. Registrations. 253
6. Musica ficta. 264
VII. Compendium of the Results
1. The Structure and Contents of the Facultad Orgánica. 283
2. The Extant Exemplars of the Facultad Orgánica. 285
3. Advice on Performance Practice in the Facultad Orgánica. 286
4. The Significance of the Facultad Orgánica as a Source of Performance Practice and the applicability of Francisco Correa's Advice. 313
5. The Applicability of the Chosen Research Methods. 314
6. The Future Challenges of Research on Francisco Correa de Arauxo and his Facultad Orgánica. 315

Appendixes. 317
Bibliography. 347

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